- Akatsuki Kanenari (1792-1860) - Lot 284

- Akatsuki Kanenari (1792-1860) Ogura Hyakushu Ruidai Banashi (小倉百首類題話) Tales inspired by poems from the Hyakunin-Isshu, "One Hundred Poets, One Hundred Poems". Vol. I of 3. Yellow cover with handwritten title label in India ink on beige background. Signed Akatsuki Kanenari saku hei zuga (in the colophon of Volume III.) Date: 1823 (Bunsei 5). Publisher not indicated on the book (from another copy, Kawachiya Heishichi (Osaka)) Format: 25.5 x 18 cm Average print run, book tired. Cover damaged. Bibliography: Hillier, p.861 - Toda, p.285 - Brown, p.79. - Various artists: Baitei, Kitao Masayoshi, Keisai Eisen, Genki, Baitei (1734-1810) Sanga Gazu Keisai Sôga (讃科画圖蕙斎麁画) - Nihen Keisai sketches: Admiration for drawings - (Volume II). Volume II of 5. Orange embossed cover with beige title label printed in green. Signed Baitei Kakei hitsu. Keisai hitsu. Raian Genki hitsu. Keisai ga. Publisher Eirakuya Tôheki-dô Format: 22.6 x 15.6 cm Weak impression, medium print run. Bibliography: Brown, p.124.Toda, p.215 - Mitchell, p.355 - Hillier, p.269, 488, 779, 821-4 (ills.repr., pl. 544, 156). - Itchô Hanabusa (1652-1724) Itchô Gafu (一蝶画譜) essins by Hanabusa Itchô. Volume III of 3. Brown cover with handwritten title label in India ink on beige background: Gunchô Gaei 群蝶画英. Date: 1824 (Bunsei 7). Publisher Seizan-dô. Suharaya Mohei 須原屋茂兵衛 (Edo), Akitaya Taemon (Osaka) Size: 25.5 x 17.5 cm A fine example. Provenance: Félix Braquemond. Round white vignette on cover: Monogram B de Braquemond. Bibliography: Toda, p.330 - Brown, p.56. - Anonymous (attributed to Shunboku Ôoka (1680-1763) or Mitsunobu Hasegawa) Toba-E Sangokushi (鳥羽絵三国志) Three cities cartoon. 3 volumes collected in 1. Orange cover adorned with silver chains, unlabeled. Undated, late eighteenth century. Size: 23 x 16.1 cm Charming copies of cartoons. Yellowed leaves. Provenance: Louis Gonse (red square stamp on top first page). Bibliography: Toda, p.342-343 (artist's name not noted) - Hillier, p.599 (cited "attributed to Shunboku") - Brown, p.73 (cited as Shunboku's work). The set.